Senses of Cinema, Film Journal, Speculation and the New Red Order
[Forthcoming, 2026]
Eavesdropping in conflict zones: on the counter-forensic value of light and sound [2024]
Accepted paper and presentation at Visible Evidence XXX, Monash University, with Bora Erden
Processing Mass Atrocities, with Gauri Bahuguna [2023]
The New School for Social Research. Invited talk by Everita Silina
Abolition Humanities Lab, with Gauri Bahuguna [2023]
NYU. Invited talk and workshop by Lenora Hanson
Eavesdropping in conflict zones: on the counter-forensic value of light and sound [2023]
Accepted paper and presentation at Weaving Worlds: Between Affect and Evidence, Delft University of Technology, with Bora Erden
Capturing the student body [2022]
Commissioned essay for digital publication RIGA (Riga Technoculture Research Unit), Kim? Contemporary Art Centre, Latvia
Classroom Arsenal [2021]
A thesis submitted to the faculty of the graduate program in the Center for Curatorial Studies in partial fulfillment of the requirements for the degree of Master of Arts in Curatorial Studies
Critical Diversity Literacy: Guidelines for Education and Curating in Exhibition Spaces [2020]
Online moderated discussion with Carmen Mörsch on how gallery education can be a critical, anti-discriminatory practice. CCS Bard. Program Moderator.
Eavesdropping in conflict zones: on the counter-forensic value of light and sound [2024]
Accepted paper and presentation at Visible Evidence XXX, Monash University, with Bora Erden
Processing Mass Atrocities, with Gauri Bahuguna [2023]
The New School for Social Research. Invited talk by Everita Silina
Abolition Humanities Lab, with Gauri Bahuguna [2023]
NYU. Invited talk and workshop by Lenora Hanson
Eavesdropping in conflict zones: on the counter-forensic value of light and sound [2023]
Accepted paper and presentation at Weaving Worlds: Between Affect and Evidence, Delft University of Technology, with Bora Erden
Capturing the student body [2022]
Commissioned essay for digital publication RIGA (Riga Technoculture Research Unit), Kim? Contemporary Art Centre, Latvia
Classroom Arsenal [2021]
A thesis submitted to the faculty of the graduate program in the Center for Curatorial Studies in partial fulfillment of the requirements for the degree of Master of Arts in Curatorial Studies
Critical Diversity Literacy: Guidelines for Education and Curating in Exhibition Spaces [2020]
Online moderated discussion with Carmen Mörsch on how gallery education can be a critical, anti-discriminatory practice. CCS Bard. Program Moderator.